President Trump’s budget proposal would have a disproportionate impact on organizations in rural and underserved communities.
says The Atlantic under the headline The Real Cost of Abolishing the National Endowment for the Arts.
Back in June I wrote an article on an outfit calling themselves The Figment Project which appeared to be a gaggle of middle-class New Yorkers passing themselves off as artists while helping themselves to taxpayers’ money which they spend, at least in part, on jollies for themselves.
I note from their annual report that The Figment Project draws funds from the National Endowment for the Arts. Perhaps if these funds were allocated properly, i.e. towards genuinely deprived communities instead of middle-aged Burning Man enthusiasts living in Brooklyn, then they would not now be facing the axe under Trump’s new budget. As I said in an earlier post on people passing themselves off as artists:
[T]here is a section of society out there which is not completely stupid (but not particularly bright either) who lack the talent, work ethic, and self-discipline to enter into professional or corporate environments and so attach themselves like parasites to the genuine arts world in order to give themselves some sort of identity. The problem with the arts world – as opposed to say, law, engineering or music – is there is no quality control: anyone can tag along, dress up in costumes, get drunk, take some photographs, and claim they’re an “artist”.
What worries me is the degree of control and influence these people have over the overall arts world (including taxpayer dollars), and how they distort the image the public have of genuine, talented artists.
It seems finally somebody is doing something about it. Good.