The Oilfield Expat put up a good post about a year ago asking why, if the Patriarchy is busy dissuading women from studying engineering and pursuing it as a career, so many women nevertheless studied chemical engineering, leading to the process engineering departments of oil companies being full of them:
If there is a patriarchy preventing women from becoming well-paid and successful engineers, they’ve overlooked the Process department.
The Internet Movie Database (IMDb) announced last week that it had adopted a system called the ‘F-rating’, intended to draw attention to films regarded as feminist.
These ratings are intended more as a provocation, designed to make people think about how women are depicted in film, and represented in the industry. As the F-rated website describes it: ‘The stories we see on screen need to be told by a broad spectrum of people to represent our diverse culture. Without change, we will train the next generation to only recognise white males as the protagonists and the ones in control of the cameras, scripts and budgets.’
The underlying assumption with feminists is that in the arts world, as with everywhere else, women are kept from participating fully by the deliberate actions of, presumably, men. The idea that perhaps women might not want to go into the film industry in the same numbers as men, or that they might simply be crap at the tasks therein, doesn’t seem to enter the mind of the modern feminist.
The problem with the feminists’ assumptions over women in the arts is the same as the one that The Oilfield Expat highlights in a different context. Whereas he asks “What about the Process Engineers?”, I ask “What about the literary world?” If there is an overbearing Patriarchy keeping women from being scriptwriters and film directors, you’d have thought a similar mechanism would be in force in publishing and literature.
Regardless of whether a Patriarchy exists, in the arts or wider society, literature is one area where women have indisputably held their own against men, and they have done for generations. Jane Austen and the Brontë sisters are canons of English literature, held in the same regard as Dickens and Hardy. Mary Shelley’s Frankenstein achieved unprecedented commercial success and spawned an entire genre of horror stories, films, and plays. Margaret Mitchell’s Gone With The Wind is considered one of the cornerstones of American literature selling over 30 million copies, as is Harper Lee’s To Kill a Mockingbird. The most successful children’s author by quite some margin is Enid Blyton, although perhaps she ran into some Patriarchy at the beginning:
Blyton’s manuscripts had been rejected by publishers on many occasions, which only made her more determined to succeed: “it is partly the struggle that helps you so much, that gives you determination, character, self-reliance – all things that help in any profession or trade, and most certainly in writing”.
Or perhaps not. Note the emphasis on hard work and lack of demands for an F-rating in publishing. A lot of kids today might not be familiar with Blyton’s works, but they will certainly know J.K. Rowling, another female author who has enjoyed staggering success. Less well known would be Richmal Crompton of the William series and Sue Townsend who created Adrian Mole. I could also mention Daphne du Maurier and Joan Aitken, but I think I’ve made my point: if there is a Patriarchal system at work in the arts keeping talented women from realising their full potential, then it is doing a shockingly poor job insofar as female authors are concerned.
The Spiked! article attempts to address this:
Film is unique among artforms. Its emblematical qualities, of capturing and representing appearances, means it often carries the burden of postmodern theories of representation. As such, it has been one of the main focuses of feminist scrutiny.
If you have to resort to language as woolly as that, you’re clutching at straws. My guess is that it is a lot easier for feminists to muscle in on a cushy job around a film set than it is to sit down and write a decent book that people want to buy.